Angel Olsen

Codfish Hollow Barnstormers and Moeller Nights Presents:

Angel Olsen

Mount Moriah

Sat, Sep 30, 2017

7:00 pm

$20.00 - $25.00

This event is all ages

Angel Olsen
Angel Olsen
Anyone reckless enough to have typecast Angel Olsen according to 2013's Burn Your Fire For No Witness is in for a sizable surprise with her third album, MY WOMAN. The crunchier, blown-out production of the former is gone, but that fire is now burning wilder. Her disarming, timeless voice is even more front-and-centre than before, and the overall production is lighter. Yet the strange, raw power and slowly unspooling incantations of her previous efforts remain, so anyone who might attempt to pigeonhole Olsen as either an elliptical outsider or a pop personality is going to be wrong whichever way they choose - Olsen continues to reign over the land between the two with a haunting obliqueness and sophisticated grace.

Given its title, and track names like 'Sister' and 'Woman', it would be easy to read a gender-specific message into MY WOMAN, but Olsen has never played her lyrical content straight. She explains: "I'm definitely using scenes that I've replayed in my head, in the same way that I might write a script and manipulate a memory to get it to fit. But I think it's important that people can interpret things the way that they want to."

That said, Olsen concedes that if she could locate any theme, whether in the funny, synth-laden 'Intern' or the sadder songs which are collected on the record's latter half, "then it's maybe the complicated mess of being a woman and wanting to stand up for yourself, while also knowing that there are things you are expected ... to ignore, almost, for the sake of loving a man. I'm not trying to make a feminist statement with every single record, just because I'm a woman. But I do feel like there are some themes that relate to that, without it being the complete picture."

Over her two previous albums, she's given us reverb-shrouded poetic swoons, shadowy folk, grunge-pop band workouts and haunting, finger-picked epics. MY WOMAN is an exhilarating complement to her past work, and one for which Olsen recalibrated her writing/recording approach and methods to enter a new music-making phase. She wrote some songs on the piano she'd bought at the end of the previous album tour, but she later switched it out for synth and/or Mellotron on a few of them, such as the aforementioned 'Intern'.

MY WOMAN is lovingly put together as a proper A-side and a B-side, featuring the punchier, more pop/rock-oriented songs up front, and the longer, more reflective tracks towards the end. The rollicking 'Shut Up Kiss Me', for example, appears early on - its nervy grunge quality belying a subtle desperation, as befits any song about the exhaustion point of an impassioned argument. Another crowning moment comes in the form of the melancholic and Velvets-esque 'Heart-shaped Face', while the compelling 'Sister' and 'Woman' are the only songs not sung live. They also both run well over the seven-minute mark: the first being a triumph of reverb-splashed, '70s country rock, cast along Fleetwood Mac lines with a Neil Young caged-tiger guitar solo to cap it off. The latter is a wonderful essay in vintage electronic pop and languid, psychedelic soul.

Because her new songs demanded a plurality of voices, Olsen sings in a much broader range of styles on the album, and she brought in guest guitarist Seth Kauffman to augment her regular band of bass player Emily Elhaj, drummer Joshua Jaeger and guitarist Stewart Bronaugh. As for a producer, Olsen took to Justin Raisen, who's known for his work with Charli XCX, Sky Ferreira and Santigold, as well as opting to record live to tape at LA's historic Vox Studios.

As the record evolves, you get the sense that the "My Woman" of the title is Olsen herself - absolutely in command, but also willing to bend with the influence of collaborators and circumstances. If ever there was any pressure in the recording process, it's totally undetectable in the result. An intuitively smart, warmly communicative and fearlessly generous record, MY WOMAN speaks to everyone. That it might confound expectation is just another of its strengths.
Mount Moriah
Mount Moriah
Mount Moriah will release How to Dance, their third full-length record, on February 26. How to Dance is available for pre-order now on CD and limited-edition "coke bottle" clear LP in the Merge store, or digitally via iTunes where pre-orders will receive an instant download of the first single, “Cardinal Cross.”
The cardinal grand cross is one of the most difficult astrological alignments to achieve, and the Greek mythological figure Chiron represents wisdom and healing. The song “Cardinal Cross” illustrates these elements both lyrically and sonically, introducing us to the album with furious energy and clarity of vision. The addition of horns heightens the drama as the guitars swirl and Heather McEntire’s voice seems to summon what she seeks. Listen to and share the track now.
The North Carolina-based band Mount Moriah—composed of McEntire (lead vocals, guitar), Jenks Miller (lead guitar, keys), and Casey Toll (bass, keys)—seem insistent to grow. If Mount Moriah’s self-titled debut showed them standing with sea legs, determined to dream their way free from the dark crevices and corners of alt-country’s stiff template; and if Miracle Temple, their second album, called that darkness by its Southern name and met it with fire; then their latest collection of songs, How to Dance, is a devotion to the cosmic light itself: moving towards it, moving into it, becoming it. Mount Moriah’s third full-length sees them stretching further to explore their collective interest in the intangible fringes of fate and synchronicity. With How to Dance, the band presents new themes of symbolism, mysticism, alchemy, universality, sacred geometry. There is color, confidence, self-direction, joy. There is also darkness, but only to show you how it found its light.
Mount Moriah will have new tour dates to announce soon, but in the meantime, watch the lyric video for “Calvander” from their recently released 7-inch as well as live video from the band’s recent sold-out hometown show.
Venue Information:
Codfish Hollow Barnstormers
5013 288th Ave
Maquoketa, IA, 52060
http://codfishhollowbarnstormers.com/