Codfish Hollow Barnstormers and Moeller Nights Presents:
Langhorne Slim and The Lost at Last Band
Dan Tedesco, Carson McHone
Fri, Jun 22, 2018
7:30 pm (event ends at 11:00 pm)Codfish Hollow Barnstormers
$25.00 - $30.00
Tickets at the Door
This event is all ages
DOORS at 5:30
SHOW at 7:30
DISCLAIMER: By purchasing this ticket, the ticket holder voluntarily assumes all risks in attending the event, whether occurring before, during or after the event, and releases Codfish Hollow Barnstormers LLC and its agents from all related claims.
Nashville’s Langhorne Slim interlaces this theme throughout his new album. “Everyone’s searchin’ for something better around every corner, but it’s already right here,” Langhorne says. “We’re all born whole – through livin’ we fall apart…”
The songs on Langhorne Slim’s newest album, Lost At Last Vol. 1, out November 10, 2017, challenge the idea of social rigidity: the attitude that there’s a “correct” way for us to live and a side we should be on. He urges the world to see through the idea that by following that path and focusing only on fitting the mold, one will have lived a good life. He re-interprets the sound of the free-spirited yet vulnerable everyman heard on 2015’s The Spirit Moves and brings forth anew the call for us to abandon “the fold” and re-connect with ourselves and each other.
Langhorne Slim is no stranger to the world of popular culture and commercial success. Lost At Last Vol. 1 is his sixth full-length album; throughout his career he has been defined by reflective songwriting and passionate delivery. Slim’s last album cycle alone garnered him his third appearance on Conan O’Brien’s late-night show, as well as a feature on CBS Saturday Morning, and the highest charting debut of his career. O’Brien, a personal fan of Slim stated, “After one listen, I became an instant, almost obsessive fan.” Slim has consistently toured on his own, and has appeared on extensive worldwide runs throughout his career with artists such as The Lumineers, The Avett Brothers, Grace Potter & The Nocturnals, Gregory Alan Isakov, Josh Ritter, The Devil Makes Three, Sara Watkins, and more. He’s also appeared on many festival stages, such as Bonnaroo, Newport Folk Festival, Outside Lands, Lollapalooza, and the Philadelphia Folk Festival.
Lost At Last Vol. 1 is a record that Langhorne wanted to do differently from the start. “Almost immediately after recording our last record, The Spirit Moves,” Slim says, “I felt a deep desire to make another album. One that would take a step sideways in order to take a step forward; one that would be very personal and raw…in the making of this record, I made a deal with myself to trust my own voice and vision more than I ever have before, and to go willingly wherever it led.”
The title alone reflects his need to pen a great wealth of songs, as if the thoughts and inspiration took on a life of their own and just needed to come out. Recorded over the span of around six months in New Orleans, Los Angeles, and Catskill, NY, and clocking in at about 34 minutes, it’s a short but intense listening experience. Several songs are under two or three minutes long, but they pack vivid imagery into concise packages in a way that shows a significant diversion from the songwriting on his previous records. Slim keeps his record-making in the family with this release; longtime band member Malachi DeLorenzo co-produced the record along with Kenny Siegal, and DeLorenzo also mixed several tracks in addition to playing drums on the record.
Slim reflects truths that we may or may not want to admit; in “Life is Confusing”, he muses that “life is confusing, and people are insane”. He stands resolute in the face of trial: “…you could break my heart, but you’ll never break me,” he sings on “Never Break”. He calls upon the listener during this time fraught with challenges to unplug from the trajectory our culture has deemed is “right” and find strength in our own vulnerability, in our own instincts. “We look to our phones, drugs, sex whatever to find ourselves when it’s already right here,” Slim says. These songs join in the rallying call for the wild ones in us all.
Piano at age 5.
Violin at age 9.
Guitar at age 11 after hearing Eddie Van Halen.
And that, as they say, is all she wrote.
I’ve been madly in love with it ever since.Growing up my ears were fortunate enough to be treated to a fairly eclectic musical mix: The Beatles, Dylan, Paul Simon, James Taylor, The Band, The Beach Boys, Pink Floyd, CCR, Bob Seger, Bruce Springsteen, Tom Petty. Even a healthy dose of Mozart, Beethoven and Wagner. A friend in my neighborhood used to make cassette mixes for me: The Who, They Might Be Giants, The Police, The Clash. I missed the grunge period, and it wouldn’t be until nearly a decade later that I’d discover the power of Nirvana, Pearl Jam and Soundgarden. Once I found the guitar, things focused in a touch. It wasn’t unusual for me to fall asleep at night to the sounds of guitar wizards like Joe Satriani and Eric Johnson. And the random Van Halen record was never far away.
Then there was the jazz period. Wes Montgomery. Joe Pass. George Benson. Charlie Christian. John Coltrane. Elvin Jones. McCoy Tyner. The things I learned from those guys. Man. It’s everything really. The spirit of jazz. The freedom of it. That’s been it’s great influence on me.
But I was always a rock ’n roll kid. Pete Townsend more than Pat Metheny. And, ultimately, I craved power chords over the complex harmonies of jazz.
High school was a weird time. I straddled the jock world, playing baseball, and the music world, as a member of the high school jazz band. Most mornings, after being dropped off by the bus, everyone would hang out in the lunchroom before first period. Not me. I’d head straight to a room adjacent to the school’s band rehearsal hall, writing music on the computer. Like I said, it was an addiction. Outside of school, I jammed in a duo with one of my best friend’s, who happened to be a fantastic drummer. We wrote all kinds of stuff. Lots of instrumental music (queue the Satriani). Recorded various demos. But neither of us sang. That made it hard to play out. And most of the other kids were interested in the classics: Zeppelin, Pink Floyd, The Stones. They weren’t interested in what we had going on.
So, like many of my heroes, I was a bit of a social outcast. That, if anything, was and has always been my struggle. Everyone has at least one. And I found my comfort, security and confidence in the world out on the fringe, populated by the misfits. The world of rock ’n roll.
Let Me Play My Old Guitar, and sing for you my song
Let Me Play My Old Guitar, and sing for you my song
I promise you my friend
I Will Not Do You Wrong
Her vocals are featured on Shinyribs’ newest album (Okra Candy, 2015), on Ray Wylie Hubbard’s 2015 song “Chick Singer Badass Rockin”, as well as a duet on Mike and The Moonpies 2015 release ‘Mockingbird.
She has shared the stage with Vince Gill, Ryan Bingham, Margaret Glaspy, Del McCoury Band, Charlie Mars, David Ramirez, Jerry Jeff Walker, Shakey Graves, Gary Clark Jr., among others.She was also featured on the Irish Live Music Series 'Other Voices', filmed in Austin Texas at Arlyn Studios.
McHone has recorded a new album in Nashville with producer Mike McCarthy (Spoon, Heartless Bastards, Patty Griffin) and performed this year at the 2017 Austin City Limits Music Festival and the 2017 Americana Music Festival. Other 2017 Festivals include Gas Fest, Neil Fest (in Austin and Dallas) and the SXSW Music Festival.
Codfish Hollow Barnstormers
5013 288th Ave
Maquoketa, IA, 52060